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Cockycuz – Sweet Love @cockycuz

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Cockycuz’s trap/soul, 2019 release “Sweet Love” explores a steamy night of passion between him and his lady.

Edward Bernard Ponton Jr. (Cockycuz) was born in Miami, Fl to his mother Shynita Ponton and father Edward Bernard Ponton, he grew up in the midst of two worlds; his growing passion for singing and dealing with the harsh realities of growing up in the inner city. Ed attended Miami Jackson Senior High before he transferred to West Lake High School in Atlanta, GA. Ed grew up in a close-knit family environment where Birthday parties became house parties and he was able to showcase his budding vocals. His songwriting, vibrant arrangements, and smooth delivery have placed him on the radar of industry heavyweights such as Cool and Dre, DJ Nasty, DJ Rhymer and a host of others.

Ed started his career early on, performing for the likes of Betty Wright and Usher at the mere age of 10. During that time he wowed listeners with his vocal range as he would belt out Michael Jackson tunes with precision and accuracy. Since then, Ed has matured into a modern-day Trap/Soul singer and he released his first single Ungrateful (2018), followed up by his new single Sweet Love (2019) after signing with Miami based independent label Aries Musick Group. Ed’s edgy and seductive lyrics on top of vibrant production has helped him grow a following on SoundCloud and has helped him catch the attention of the blog site Teatenders. His online presence continues to grow thanks to the success of his latest release Sweet Love (2019).

Tone Sinatra – BAD! BAD! @_tonesinatra_

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“BAD! BAD!” from Tone Sinatra is a vibey Playboi Carti, Juice Wrld inspired song, with a Sade sample. The ear-worm hook makes it replay-able. The verse melodies drive the song.

Tone Sinatra is a 18-year-old nomad, a product of Cleveland who moved South and then West to escape the small town limbo. Introspective, melodic raps riff on drugs, heartbreak, anxiety, and self-discovery, the brooding result of a kid raised on Kanye, Travis Scott, The Weeknd, and Kid CuDi.

Deemed “visionary” and “much-needed” by the prominent regional rap blog “I’m From Cleveland” and creating music that “shakes with a simmering, off-kilter, head-nod-inducing flow” according to the alt-weekly Cleveland Scene, Sinatra’s young star is merely beginning to rise.

Nsikan SLT – Ripped Jeans @nsikanslt

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“Ripped Jeans” is a song recorded by Nsikan SLT and produced by Evil.

Nsikan SLT is an artist born and raised in Charlotte, NC. Nsikan makes his tracks standout through his organic energy and his choice of dark production with standout melodies and hard hitting rhymes. Nsikan manages to incorporate subtle elements of his upbringing in his music, including skateboarding and intercity culture.

Charles $lum – White Sapphires @sirslum_

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The official music visual production for the new hit single “White Sapphires” (prod. by CaptainCrunch & Brent Rambo) – performed by hip-hop artist Charles $lum – is a completely original production piece. Remix featuring Wifisfuneral coming soon.

“White Sapphires” is a VR experience, damn near. The latest in my catalog & something different for me to release, sound-wise. Very bright and up sounding, I consider this one to be Hip-Pop essentially & I hope you enjoy. I really aimed to please with this one.

Charles $lum is a hip-hop musician hailing from Pittsburgh, PA. He is an artist that delivers an entire conceptual work of art within the confines of each and every song. His visuals, style of writing, carefully layered vocals, and flow take him outside of competition within his marketplace. ‘$lum’ as it’s often shortened to – chooses the most interesting ways & words to convey his take on the realities of life. However, that reality that we as listeners are anchored to can sometimes be far from clear cut. If anything, $lum is abstract by nature and his lyrics are conveying matters which aren’t usually discussed or even put into words at all. $lum approaches his music in this fashion to push himself creatively and the general envelope of music as well. He has essentially created his own subgenre in a sense, setting out to achieve the title of something akin to a modern-day Hip-hop avant-garde. He performs this at a savant-like level, exuberantly. This said subgenre is submerged in psychedelic sounds, thoughts, and substances; with striking takes on more common realities as well. It’s not ‘hippie rap’ or ‘conscious hip-hop’, it’s also not void of the sounds and topics that come along with those. Elements of trap, gangster rap, pop, drill, and R&B are all present, too. The sound is just drug-induced and free at its core. However, $lum proves again & again that he has a very strong potential to distinguish himself as one of the most multi-faceted artists in today’s music.

In popular, radio-spun music; it was thought that you generally can only rap to a beat in certain patterns: within a certain time frame and drum sequences (Until rappers like Blueface & TeeJayx6 came along). However, a break-away from that norm is time tempered & rhythmic relation $lum has always exhibited in his music. This stems from a love of what he calls, ‘the genius of MF Doom’ and he has more than apparently felt limited by said ‘norms’. Much of $lum’s earlier music shows him finding his own way to slip in perfectly between each kick, knock, boom, and snare. His music is clearly modeled to be different but to fine extents. $lum has a style & flow that in the past may have sounded like a new or possibly even incorrect way to rap when heard by a general audience. However, the listener is left to notice the nuances he leaves and interpret $lum’s subconscious streams of thought. It is to be experienced like an art piece within a gallery. Meanings are almost never singular & possibly even more often are left to be entirely up to the listener. His vocals are a surprising array of different pitches, tones, and emotions put together with surgical precision. Creatively, these factors make him engaging to potentially everyone. Everything the music entails is artistically pre-designed for a cult following.

Charles $lum’s out of the box style may be hard to grasp for some and much of this is due to his psychedelic influenced style of thought. His compensation is using his obscure viewpoint to take his audience home in a sense that is so strong figuratively; it’s almost literal. He does this with themes of family, survival, and vulnerability to name a few. While a strong portion of his peers in rap culture promote drinking opiate infused beverages; $lum’s daily focuses are on a more natural affinity – the feelings of tryptamine like drugs and cannabis. It is the expression of these reborn like experiences that are part of his appeal to everyone from those into counter culture to religious followers. Charles comes off in his music as scientific and calculated; Shamanic even. It is presented in a way that leaves the listener to strongly assume that his real life mirrors the music. Having an unquenchable thirst for knowledge leaves him constantly teaching his listener while asking himself questions simultaneously. His subconscious reigns supreme over his writing process which opens the streams of factual and honest information into the steady yet sporadic flow he often delivers. He makes this evident through the subject matter he implants in the music. As a person, he doesn’t give the impression of being ego dominated. Even at his most aggressive and confident delivery, it’s rarely braggadocious. He educates his listeners in a multitude of ways; something most emcees fail to do even when they try.

His grandfather was Chuck Cooper, the first African-American drafted into the NBA & $lum comes from two very progressive black families in Pittsburgh. The legacy of pride that comes with this is evident in his demeanor and although he is outspoken on more topics than those that pertain to race – it plays a tremendous role in his content. To sit down through a Charlie Slum song or project is to be taken through space and time, sometimes tapping into a collective black or human general subconscious. One is brought into a world of $lum’s own with him playing the narrator. He can rap and sing from vivid ‘in his shoes’ perspectives, even if those shoes are not those of Charles. $lum is an emcee who is far from the commonplace rapper. Charlie Slum embodies the grassroots, do it yourself, independent, non-conformist artist. He represents himself with an undeniably strong vision in a lane that’s less traveled. As an electric performer, his own manager and marketing team, co-orchestrator of anything with his name on it, & also a film and merchandising visionary: there seems to be little $lum cannot do or isn’t attempting to master.

To conclude, Charles $lum is the antithesis of a monolith or one-dimensional artist. Lyrically he can fall somewhere in between a Nas or Kendrick Lamar like sound. Although his singing has grown to be a more integral part of his sound, $lum can rap with the best of them. On a business & visionary level beyond music; Slum shows more similarities with a Kanye West, Pharrel Williams, or Tyler The Creator. He co-directs, co-edits, and co-engineers his projects beyond the realm of today’s average artist. He runs a subdivision of an upscale hemp clothing company. That of which he has titled, ‘Micron’ and creates all of the official designs for.

The music videos $lum releases are vastly more often than not a creative and refreshing turn in comparison to the expectations of non-budgeted entertainers. His most recent singles show a changed in the tide as far as his sound is concerned. $lum is entering a new soundscape where he seems comfortable but still fits in the sphere of current rap music. He has worked with the likes of Wifisfuneral, Ski Beatz, & Nickelus F – all on his own cognizance. $lum is passionate about social involvement, and his clash of a genuine Saul Williams or Tupac Shakur-like activist mindset is present within his daily life and music content. Charles Slum is a culmination of great music and great ideas; a multitude of cultural influence & multimedia. He has the potential to make his way into the space of an American icon.

Colton Bryan – Dawn Rise @coltonbryan28

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“Dawn Rise”, was derived from Colton Bryan finding and loving the vibe of Yondo beats, purchasing multiple beats and laying the saxophone upon the track. This track is composed of two lines of harmonising saxophones, mainly an octave key, which is a recurring style within his music.

When recording this track Colton had maybe maximum 30 minutes before he had work at Papa Johns at 6pm, he recorded his first line, listened to half of it to check if it recorded well, recorded the second line and then immediately left to get to work, not even listening to the recording back. This then spent another couple months as a fresh file, until he found the time to edit the tracks whilst on an hour train journey to Manchester. With a couple touch ups of his own Engineering, he was then completely surprised and amazed at the result.

He then has now taken the time to produce a music video for this, inline with the hip hop feel, with urban graffiti, but again takes it out of the norm by placing it within a sultry environment.
This is ready to go.

After this single release campaign, he is yet to release his other tracks with similar feels.

Colton Bryan, is a professional saxophonist from the UK, with 4 years of field work performing in clubs, for weddings and other such events. 12 years playing the saxophone, in which within 3 Years achieved the highest grade of Grade 8 in the ABRSM Music Exam Board, and was awarded ‘Outstanding Individual of the Arts Under 18’ by his local council for achieving Grade 3 in 3 months and Grade 5 in 10 months. After completing his training in classical music, he then ventured into playing for himself professionally all over the United Kingdom. After understanding the lack of saxophone instrumentation in the music industry and having amassed a large following on Instagram (6k+), and also realising how Instagram is a powerful tool to connect with other associates in the Music Industry, he then began to make videos with some being reposted by the likes of LinkUpTV (800k+ on Instagram) and Rising Talents (180k+) and Banter and Talent (1.1mil+ ), with some reposts reaching 18k+ views consistently, and so he has now taken the time to venture into the streaming world.

Within the music industry, he has come across the likes of Angel, StefflonDon at the UMA Awards in 2018, JSolWorld, LottoBoyzz, Gino Bonazzi, B Young and again, by using Instagram, was contacted by both KidaKudz and Lady Leshurr for the use of his sound; yet to be released on their own projects. This is also multiplied by him working with other smaller, upcoming artists like RABArtist, Harrison Dock and Yatez with other productions in the works.

Being 21, he is ready for what the world has to offer, and what he can offer for the world, through the simple act of playing his saxophone.

Black Emigo – Break A Zip @BlackEmigo

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Black Emigo’s first official music video of 2020 for his single “Break A Zip” debuts, produced by CashMoneyAP.

Black Emigo is a Canadian artist from Miami, Florida (Dade County). Known for his catchy lyrics and melodies. He has been recording music for 5 years making a variety of Hip-Hop,Trap & R&B songs. He is currently working on a project, merch & shows right now so be on the look out for that.

Newport Savy – All Kinda Money @Newport_savy

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“All Kinda Money” is the latest song released by Newport Savy. He raps about different avenues of income in order to achieve financial stability. “All Kinda Money” is a ‘get hype’ song about coming from the bottom and doing what’s required to get the things you want in life. Newport Savy is not one to leave his loved ones behind when he makes it. “If my homie need money I’ll assign him something put him on game I ain’t like them clowns and dummies” lets listeners know that he will go the extra mile to help a friend come up as well. Newport Savy states “I just wanted listeners to realize you can come from nothing and still get everything you want and need out of life”.

Newport Savy is an American rapper from Newport News, Virginia. The product of a single-parent household with nearly 7 other siblings, Newport Savy, born Gary Williams is no stranger to the struggle and has lived through the things he raps about. He is from a close-knit family and treasures his familial relationships, especially with his mother. Previously recognized by the names G.Savage and G Money, Newport Savy first got into the rap game at the tender age of 14, buying his first low budget microphone in 2013. His musical influences were rappers Meek Mill, Lil Wayne, Lil Durk, and singers such as Chris Brown and Bryson Tiller.

His first official project “Timberwolves” was released on November 4th, 2016, and was a play on words, in dedication to his childhood neighborhood Timberwoods in Newport News, Virginia. He was raised in the Warwick Lawns division of the Timberwoods neighborhood in North Newport News, which is where he first saw many of the childhood traumas he raps about in his lyrics. Another tragedy he highlights is the death of his childhood friend Bryant Wilder who lost his life to gun violence in the city of Newport News. He often shouts him out in songs as a tribute to his death in honor of the close relationship they had.

AV The Great – #NoFakeHandShakes

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You know that feeling when you riding kicking it with the homie and you hear something dope and then the next song comes on and it’s good too so you finally ask your friend with the AUX “Who is that?”. Or the times when you stumble across a song and you gotta find out where it came from and just so happens you got time to stream the whole album because song after song is so good and you now feel entitled because you know it’s going to be a cult classic and you want to be able to say, “I been on this, y’all late” when it finally blows up. Even better the moment when you mention an artists name or song and their is one person in the room who shares your excitement that you can talk about it too while the rest of room is lost sheep following trendy trash songs they won’t remember next week. And you both know that these same lames will be on it eventually acting like they always knew.

Enter #NoFakeHandShakes by AV The Great. An album that exhibits WTF a album/mixtape/project of whatever you call it should sound like in a crowded competitive 2020 hip-hop culture. A seamless flow of songs with every sound and flavor, feel you can think of meshed into a cohesive damn near perfect underground hip-hop classic. The energy from the #NoFakeHandShakes Anthem rings off like it was purposefully made for a Festival crowd to sing along too and rebel against authority. The infectious “Caught A Body” makes you want to do good things to your sex partner and bad things to your opps at the same time. Then enters the Louisiana – Texas influenced “Love My Life” backdoored by one of the illest 3 verse songs in Hip-Hop probably ever. If we are talking bars and hook, “We Had Love (Ghost Of Nip)” isn’t the greatest Rap Song of all time but it’s gotta crack the Top100.

With Thousands of songs being released every day, That’s pretty damn good company to be in! And then you realize you are only 4 songs deep and it doesn’t seem like time is moving at all. You want to go back and rewind the song but the beat begins for the next song and this seamless flow of music captivates your ears like the great albums/mixtapes/projects you have heard before. Suddenly you don’t care about the artists followers, money, looks, you find yourself enjoying the mystery of not knowing and just finding out. And you have to listen again just to make sure you wasn’t tripping when you heard this nobody rapper that doesn’t have a fight compilation, murder case, almost been killed recently, just got out the pin hype. You got to listen again and again because you kind of remember why you fell in love with the culture and why you can’t let it go.

Maybe you like it or maybe you don’t. Maybe we hyped it and now you will hate on it. Maybe it isn’t hype and you feel what we feel. One thing is for sure tho. #NoFakeHandShakes by AV The Great is available on all digital platforms and has over 750,000 streams across all platforms since it’s release 11/11/19; distributed by EQDistro/RocNation and it’s going to keep rising.

Soul The Interrogator Countdown to Perdition

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Seattle MC Soul The Interrogator released his single and brand new video Countdown to Perdition on March 4th. The MTK produced song features Soul (along with his hype man Oveus Lee in the video) rapping over an intense slap about the state of music, the influence it has on everyday life & where humanity is heading. If life is imitating art then Soul says music is going to hell in a handbasket, with humanity following close behind. He also describes a darker side to his home Seattle Washington.

Watch the video here 

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NTG OLO X NTG BUGGY G – DUNN DISS FREESTYLE | @ntgbuggyg

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NTG OLO AND NTG BUGGY G drop a dope visual to their latest track Dunn Diss Freestyle make suure to check that out above and if you like the music check out his Instagram listed below and keep up with him on his soundcloud also listed below. NTG BUGGY G will be dropping more music all 2020 so keep up with a dope artist .

Instagram https://www.instagram.com/ntgbuggyg/?hl=en

Soundcloud https://soundcloud.com/user-703926961/ntg-olo-x-ntg-buggy-g

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